Vividred Operation
[starrater]
[starrater]
Mangirl!
Studio: Dogakobo
Dir. Nobuaki Nakanishi
Wri. Masahiro Yokotani & Reiko Yoshida
SYNOPSIS
A team of girls with zero experience in manga editing are off and running toward their dream of creating the biggest manga magazine in Japan! They seem to do nothing but run into problems and failures… But still they’re working hard every day!
REVIEW
+ Characters are cute and well differentiated visually.
+ The show has a very colorful, glossy look to it. Everything kind of looks like candy, especially the characters’ hair.
+/- Music is unremarkable. At least it’s not inappropriate and distracting. Theme song is cute, but a little irritating and manic.
– Very clearly made on the cheap. Not a big need for action, so nothing to complain about there. Lots and lots of static frames.
– The central conflict of the show is simply running this magazine. Each episode has it’s own conflict that emerges and gets resolved within the three-minute runtime. Because of this conflicts are resolved almost as soon they arise, often with nothing more than a jump cut and a line of dialogue like: “Somehow we overcame this obstacle! Yay!” It really feels like this show wants to be a full-length half-hour program, but simply doesn’t have the time to explore its episodic conflicts in an interesting way.
– Aside from the two most prominent characters, performances aren’t all that varied or unique. Everyone has the same cute cadence to their voice, which doesn’t lend much to their characters. The show has barely enough time to showcase the individual characters’ idiosyncrasies, so you end up with impressions like “the crazy one,” “the serious one,” “the kinda dumb one,” and “the one who likes donuts.”
Overall it’s a pretty cute, mildly interesting (albeit probably inaccurate look) at the manga publishing world.
[starrater]
2.5 donuts out of five.
The AAA Hosts have joined forces with special guest Soul Bro Ryu from the Gundamn@MAHQ show to bring you the top 10 list of anime video games – games with anime made before or after the release of the game. Remember, these are the best GAMES, what anime is good? You’ll just have to listen and find out!
Top 10 Anime (Based or Anime made after) Video Games Countdown
TOP 10 LIST:
1. Pokemon Red
2. Persona 4
3. Devil May Cry
4. The Entire Super robot Wars Series
5. Zone of the Enders
6. Disgaea
7. Samurai Champloo Sidetracked
8. Super Dimension Fortress MAcross: Do you remember love?
9. Jojo’s Bizarre Adventure (Capcom PSX)
10. Valkyria Chronicles
HM: .hack//sign
HM: Xenosaga
HM: Street Fighter 4
HM: Dragon Ball Z Budokai
HM: Bid for Power (Quake III mod)
HM: The Entire gundam vs series
HM: Gungrave
AWFUL: Orphen
AWFUL: Dragon Ball GT Final Bout
AWFUL: Golgo 13 NES
AWFUL: Mobile Suit Gundam Crossfire
AWFUL: Cowboy Bebop PSX
Reviews: Mangirl! and Jojo's Bizzare Adventure 2012
[starrater]
The AAAPodcast begins a new series aptly titled “Studio Spotlights” in which an entire episode is dedicated to a single anime studio. This week the studio we take a look at is Production IG, covered with their history, notable qualities, and staff.
Studio Spotlight requested by SoulRogue
This is like the Artist spotlight where the podcast episode will spotlight the works of the said anime company.
General, what is a studio?
From Wikipedia!
An animation studio is a company producing animated media. The broadest such companies conceive of products to produce, own the physical equipment for production, employ operators for that equipment, and hold a major stake in the sales or rentals of the media produced. They also own rights over merchandising and creative rights for characters created/held by the company, much like authors holding copyrights. In some early cases, they also held patent rights over methods of animation used in certain studios that were used for boosting productivity. Overall, they are business concerns and can function as such in legal terms.
Studio Spotlight: Production I.G.
Official Website: http://www.productionig.com/
Works List: http://www.productionig.com/contents/works/
Wiki Page! http://en.wikipedia.org/wiki/Production_I.G
Notable Works:
Aria
Blood+
Eden of the East
FLCL (w/ GAINAX)
Ghost in the Shell SAC
Kimi ni Todoke
Love Hina
Moribito
Neon Genensis Evangelion (w/ GAINAX)
Princes of Tennis
xxxHolic
RECENT:
Mirai Nikki (RECENT)
Psycho-Pass (Recent)
Robotics:Notes
Suisei no Gargantia (Current)
Shinsei
guilty Crown (RECENT)
Kuroko no Basuke (RECENT) – Particularly relevant due to its popularity and the willingness to make bomb threats over it.
Notable Animation Techniques:
One of the forerunners for Digital Animation techniques in almost every area of the process. Their start actually came from the Playstation game Ghose in the Shell when they did some of the cut animation sequences for the game.
Later, they would use these same techniques in Blood the Last Vampire in 2000, the animation still holds up fairly well today.
Some of these digital techniques include compositing, which allows the creators to edit layers in more advanced ways such as lighting effects. These similar techniques were also used by Miyazaki in Princess Mononoke. It also allows for 3D models to be integrated more easily.
Another mastered technique is digital colorgrading. Being able to control the colors of the cels, which in the days of hand-painted works was lost. However, with technology multiple layers can be edited at once.
However, despite this, most of their processes still begin with hand-drawn concepts, no matter how much digital work is implemented in the final product. Their style is one that is hyper-realistic, favoring more muted tones and natural facial structures with backgrounds that are equally gritty to match.
Mitsuhisa Ishikawa: The biggest thing which has changed with the move from analogue to digital is the fact that you can simply do more – create more products, make more movies and so on. Obviously, which analogue animation everything you’ve made – all the things you’ve drawn and so on – are very limited; you make them once and then you’re back to zero and you have to start again. But with digital technology, you can re-use a lot of the assets and the stuff you’ve made – you can adapt it, change it and use that to make more films and more different things.
Maybe that’s one of the reasons why Production I.G. make so many things, and so many differentthings these days – it’s the fact that you can use that backbone of digital technology, and that’s one of its real strengths.
Famous People Associated:
Mitsuhisa Ishikawa http://en.wikipedia.org/wiki/Mitsuhisa_Ishikawa http://www.animenewsnetwork.com/encyclopedia/people.php?id=467 – founder of Production IQ. He was the producer for a huge number of anime put out by Production IG including the Ghost in the Shell films, the anime section of Kill Bill, Patlabor, and a number of other things dating back to even older anime such as Blue Seed.
Takayuki Goto – http://www.animenewsnetwork.com/encyclopedia/people.php?id=5601
co-founder of Production IG. Which Ishikawa does most of the production, Goto does a huge amount of CHARACTER DESIGN for the shows that PRoduction IG creates. These shows include Hunter X Hunter, Ghost in the Shell SAC, Kimagure Orange Road, the older Eva movies, etc…
Fun Facts…
The “I.G” part of the company name refers to its founders, Mitsuhisa Ishikawa and Takayuki Goto. They frequently collaborate with Mamoru Oshii.
Production I.G has two subsidiary companies Xebec and Mag Garden. From 1997-2006 studio Bee Train was also a subsidiary.
Reviews: Onigamiden and Sasamisan@Ganbaranai!
Sasami-San@Ganbaranai
Studio: Shaft
Dir. Akiyuki Shinbou
Wri. Katsuhiko Takayama
Music by Yukari Hashimoto
SYNOPSIS
Sasami Tsukuyomi is a high school shut-in who often stays at home and is doted upon by her older brother, Kamiomi. However, due to unknowingly possessing a god’s power, Kamiomi’s habit of trying to appease Sasami often puts the world into chaos, while the three Yagami sisters try to put a stop to it.
REVIEW
+ Beautifully animated. Does a lot with it’s television-sized budget. Everything has a pleasant watercolor and pastel feel to it, especially Sasami’s bedroom and house. It seems the more unfamiliar the place to Sasami, the more hard-edged and vibrant everything becomes. Great work from the guys at Shaft.
+ Performances are quite good all around. Kana Asumi’s Sasami is delicate but jaded. Houchuu Otsuka’s Kamiomi brings a much-needed male to the all-female cast, and the uniqueness of his voice really stands out here. The Yagami sisters are all type casted into their roles, but each of their voice actors does a respectable job with the thankless, one-note work.
+ Music is very diverse and often quite charming. An episode featuring video games utilizes a bit of 8-bit flare in the soundtrack. Epic battles are underscored with appropriate swelling strings. Nothing feels out of place or distracting. Some horn-heavy battle music reminds me of the charm of mid-20th century film scores. Really good stuff overall.
+/- Thematically consistent although very, very messy narratively.
– The simple theme of Sasami growing up and learning to be a “normal” person achieves culmination through a series of off-the-wall story lines that don’t ever seem to be connected in any significant way. The series deals with everything from culturally enforced incest, troubled parental relationships, and jealousy among friends by way of multi-dimensional beings, ancient gods changing the physical world at their whim, time travel, MMORPGs, and myriad other devices. At any given time, the genre could be comedy, slice-of-life, romance, ecchi, supernatural, science fiction, fantasy, and even horror. All this said, the show ultimately doesn’t feel edgy or or experimental, just unfocused, uneven, and pretty damn exhausting.
I didn’t dislike it, but I didn’t really like it either.
2.5 boob guns out of 5.
[starrater]
[starrater]
Ishida & Asakura
Dax Production/Hotline
Dir. Pippuya (Kachou no Koi)
Wri. Kenichi Yamashita (Yu-Gi-Oh!, various)
SYNOPSIS
Ishida to Asakura focuses on the titular characters–the stoic Ishida and the lecherous Asakura–and the bizarre students and teachers that populate their high school. Asakura is obsessed with curvaceous women and dreams of becoming a teacher in order to be surrounded by attractive girls all day. Ishida dreams of running a flower shop together with Asakura after they finish high school, and appears to have strong homosexual feelings for his best friend, although this is always played for laughs.
REVIEW
+ Characters designs are appropriately ugly. Feels a bit like Cromartie High School, which I enjoy.
+ Music is fun and light.
+ Performances are good, particularly those for the titular characters. Very dry and quirky. Probably the best thing about the show.
+/- Animation is choppy and aesthetically unappealing, which kind of works with the overall style of the show.
– Not funny. I giggled maybe once. Admittedly the most subjective complaint, but my biggest one for something that is supposed to be a comedy.
– Thematically empty. Gags involving homosexuality, transgenderism, female body image issues, and bullying are all played for laughs and have nothing important to say. And they’re not even funny.
– There is no story. Things just happen. The premise is continually returned to with no perceivable progress toward any of the characters’ goals.
1.5 big breasted trannies out of 5
[starrater]
Dragon Ball Z: Battle of Gods
ドラゴンボールZ:神と神
Toei Animation
Dir. Masahiro Hosoda (
Wri. Yusuke Watanabe
Music by Norihito Sumitomo
SUMMARY
Birus, the God of Destruction, learns of the defeat of the galactic overlord Frieza at the hands of Goku. Seeking an opponent worthy of his power, Birus, along with his companion Uis, travels to the North Quadrant of the universe to challenge Goku to a battle.
PROS
+ The hand drawn bits are gorgeous, crisp, and colorful. During these scenes, DBZ has never looked so good.
+ Birus is funny and charismatic. Fits right into the universe. A good villain.
+ Some of the comedy was truly funny.
CONS
– Facile and meaningless “storytelling,” if you can call it that. The only plot device used was a simple set-up/pay-off that did little more than project the film toward its anti-climactic conclusion.
– No sense of threat or stakes. No one is in any “danger” until the “villain” is refused the chance to eat some pudding. Then, he threatens to destroy the world. SPOILERS: No one dies or even gets hurt, except for Videl, who is hit by a stray bullet and immediately healed by Dende.
– An estimated 50% of the film is wasted on character fan service. Almost every character gets a moment to “shine,” or at least gets a name drop. Characters act completely out-of-character, even Shenlon the Eternal Dragon. The creators know you know them, so they want to give you something new. “Wouldn’t it be crazy if Vegeta sang and danced?” “What if Piccolo sang karaoke?”
– Awful CGI. Conceptually great action scenes are sabotaged by poorly blended and rendered CGI backgrounds and elements.
– New Super Saiyan God form is underwhelming.
– Most of the film only works if you are familiar with the source material.
– Power levels are uneven and illogical. SS3 Goku can’t lay a hand on Birus, but SS Vegeta can when he’s defending Bulma’s honor.
– Feels too long. Made me wish this was another hour-long DBZ movie of days gone by.
1.5 Dragon Balls out of 5.
[starrater]
The AAA Podcast covers what they will be adding to their lists of shows to watch from this 2013 anime season. They also recently saw the movie Dragon Ball Z, Battle of the Gods in Japanese theaters and will give their thoughts on the movie experience and the movie itself.
Spring 2013 Anime Picks
http://haruhichan.com/static/images/charts/deliver.php?c=Spring2013
PVs – http://www.youtube.com/playlist?list=PLtT3qw_Wx156asftUSMoEW8iRQtEe9Orb
http://tentacleactions.wordpress.com/2013/03/15/2013-anime-spring-season-pvs/
Mitsugi –
Higurashi no Naku Koro ni Kaku (12th selection) http://www.youtube.com/watch?v=drCTJABbuOk
To Aru Kagaku no Railgun (9th selection)
http://www.youtube.com/watch?v=37WWTs4qbU4&list=PLtT3qw_Wx156asftUSMoEW8iRQtEe9Orb&index=33
Ginga Kikoutai Majestic Prince (6th selection)
http://www.youtube.com/watch?v=jtdqkHYzrzY
Devil Survivor 2 (4th selection)
http://www.youtube.com/watch?v=qojFloViuWY
Shingeki no Kyoujin (2nd selection)
http://www.youtube.com/watch?v=KKzmOh4SuBc
Suisei no Gargantia (1st selection)
http://www.youtube.com/watch?v=vGZokL-tAbM
***I feel that I will end up watching Yamato and Gundam Seed as well just because its some stuff that I feel like I should watch.
Chiaki –
Arata Kangatari (7th selection)
Iron Man – Rise of Technovore
http://www.youtube.com/watch?v=CUgzL3rlzLg&list=PLtT3qw_Wx156asftUSMoEW8iRQtEe9Orb&index=43
Glass no Kamen Desu ga (6th selection)
http://www.youtube.com/watch?v=Cz-K6mdYqjo
Aiura (5th selection)
http://www.youtube.com/watch?v=iquFAi2Xp9E
Otono Joshi no Anime Time (3rd selection)
http://www.youtube.com/watch?v=jhSS8Ro6dCU (Not a trailer, but AMV From the first one)
Aku no Hana (2nd selection)
http://www.youtube.com/watch?v=agNACZm_J7U&list=PLtT3qw_Wx156asftUSMoEW8iRQtEe9Orb&index=2
Asian Risshiden no Shima Kousaku (1st selection)
Kram –
Dansai Bunri no Crime Edge (11th Selection)
Photo Kano (9th selection)
Red Data Girl (7th selection)
Miyakawa-ke no Kuufuku (6th selection)
Kakumeiki Valvrave (5th selection)
Space Battleship Yamato (Uchuu Senkan Yamato) 2199 (1st selection)
Reviews: Dragon Ball Z: Battle of the Gods and Ishida & Asakura