Vividred Operation
[starrater]
[starrater]
[starrater]
Sasami-San@Ganbaranai
Studio: Shaft
Dir. Akiyuki Shinbou
Wri. Katsuhiko Takayama
Music by Yukari Hashimoto
SYNOPSIS
Sasami Tsukuyomi is a high school shut-in who often stays at home and is doted upon by her older brother, Kamiomi. However, due to unknowingly possessing a god’s power, Kamiomi’s habit of trying to appease Sasami often puts the world into chaos, while the three Yagami sisters try to put a stop to it.
REVIEW
+ Beautifully animated. Does a lot with it’s television-sized budget. Everything has a pleasant watercolor and pastel feel to it, especially Sasami’s bedroom and house. It seems the more unfamiliar the place to Sasami, the more hard-edged and vibrant everything becomes. Great work from the guys at Shaft.
+ Performances are quite good all around. Kana Asumi’s Sasami is delicate but jaded. Houchuu Otsuka’s Kamiomi brings a much-needed male to the all-female cast, and the uniqueness of his voice really stands out here. The Yagami sisters are all type casted into their roles, but each of their voice actors does a respectable job with the thankless, one-note work.
+ Music is very diverse and often quite charming. An episode featuring video games utilizes a bit of 8-bit flare in the soundtrack. Epic battles are underscored with appropriate swelling strings. Nothing feels out of place or distracting. Some horn-heavy battle music reminds me of the charm of mid-20th century film scores. Really good stuff overall.
+/- Thematically consistent although very, very messy narratively.
– The simple theme of Sasami growing up and learning to be a “normal” person achieves culmination through a series of off-the-wall story lines that don’t ever seem to be connected in any significant way. The series deals with everything from culturally enforced incest, troubled parental relationships, and jealousy among friends by way of multi-dimensional beings, ancient gods changing the physical world at their whim, time travel, MMORPGs, and myriad other devices. At any given time, the genre could be comedy, slice-of-life, romance, ecchi, supernatural, science fiction, fantasy, and even horror. All this said, the show ultimately doesn’t feel edgy or or experimental, just unfocused, uneven, and pretty damn exhausting.
I didn’t dislike it, but I didn’t really like it either.
2.5 boob guns out of 5.
[starrater]
[starrater]
Dragon Ball Z: Battle of Gods
ドラゴンボールZ:神と神
Toei Animation
Dir. Masahiro Hosoda (
Wri. Yusuke Watanabe
Music by Norihito Sumitomo
SUMMARY
Birus, the God of Destruction, learns of the defeat of the galactic overlord Frieza at the hands of Goku. Seeking an opponent worthy of his power, Birus, along with his companion Uis, travels to the North Quadrant of the universe to challenge Goku to a battle.
PROS
+ The hand drawn bits are gorgeous, crisp, and colorful. During these scenes, DBZ has never looked so good.
+ Birus is funny and charismatic. Fits right into the universe. A good villain.
+ Some of the comedy was truly funny.
CONS
– Facile and meaningless “storytelling,” if you can call it that. The only plot device used was a simple set-up/pay-off that did little more than project the film toward its anti-climactic conclusion.
– No sense of threat or stakes. No one is in any “danger” until the “villain” is refused the chance to eat some pudding. Then, he threatens to destroy the world. SPOILERS: No one dies or even gets hurt, except for Videl, who is hit by a stray bullet and immediately healed by Dende.
– An estimated 50% of the film is wasted on character fan service. Almost every character gets a moment to “shine,” or at least gets a name drop. Characters act completely out-of-character, even Shenlon the Eternal Dragon. The creators know you know them, so they want to give you something new. “Wouldn’t it be crazy if Vegeta sang and danced?” “What if Piccolo sang karaoke?”
– Awful CGI. Conceptually great action scenes are sabotaged by poorly blended and rendered CGI backgrounds and elements.
– New Super Saiyan God form is underwhelming.
– Most of the film only works if you are familiar with the source material.
– Power levels are uneven and illogical. SS3 Goku can’t lay a hand on Birus, but SS Vegeta can when he’s defending Bulma’s honor.
– Feels too long. Made me wish this was another hour-long DBZ movie of days gone by.
1.5 Dragon Balls out of 5.
[starrater]
Plot: Set in 2046 (in the same world as Sword Art Online) the world has been revolutionized by neurolinkers. A technology which almost everyone gets at birth placed around the wearer’s neck. By linking directly to the nervous system it has connected people as computers to the world around them via cell phone networks making online games and connections highly influential to real life. Here we meet the protagonist: Haruyuki. A short, fat, overly bullied and under-ly confident middle school student who often withdraws into the digital universe due to his ability to retreat from real life problems and excel at digital games. His proficiency draws the attention of Kuroyukihime, who is a student council member and the most popular girl in school. She has chosen him for a gift, a program known as Brain Burst in which people in different areas and prefectures battle each other as Burst Linkers to gain levels, the highest -and Kuroyukihime’s goal – being level 10. However, to reach level 10 you must defeat other level 9 opponents, losing one match uninstalls the program. Haryuyuki agrees on the onset to help Kuroyukihime reach the illustrious level 10, but as he becomes more involved in the digital world of Brain Burst black and white begins to gray as people aren’t what they seem, and new enemies lurk just around the corner.
Length: 24 episodes
Original Release: April 6th 2012
Staff: As mentioned in the plot summary the story takes place in the same world as a similar, popular, series: Sword Art Online. This is because both series share the original creator Reki Kawahara. Accel World is based off a series of light novels which are currently at 13 installments and still going. Because of this a second season is, of course, entirely possible (though not absolutely necessary based on the shows ending).
The director, Masakazu Obara, only has one other major directing credit which is Mi-Hime, given the action nature of that show and a “monster of the week” flair I can see how some things translated over to the burst linker fights we saw in Accel World. Even that may be a stretch and there are thankfully not too many other similarities between the two shows.
The music was done by Hiroyuki Oshima and I actually give this man props as this is literally is composer debut and the music was very well done. There was a large range to the show and because of that every type of scene was punctuated with good music. Not technically astounding music, but better than your run of the mill.
Animation-wise the show does not disappoint. The action sequences during the Brain Burst fights are engaging and well done. Two notes for this could be Studio Sunrise’s hand in the animation, as well as a man named Nobutaka Ike being one of the two main art directors. Ike has worked on other projects such as Tokyo Godfathers, Paprika, and Millenium Actress as the Art Director. The styling of the animation is also wonderful, however, I question some choices with regards to Haruyuki’s design.
Main Review: Accel World is a show that I really, really, wanted to blow me away. When I first started watching it I was completely sold. The characters were engaging and interesting, Haruyuki was dynamic and felt like he had a depth to him that I enjoyed – even if his character design was a little disjointed feeling.
It starts off in about a 6-episode getting to know the world and characters type of arc. The world has a depth and complexity to it while still having a number of quirks that make it feel very very real. As a result you’re hungry for more during these first episodes and there are more questions as you begin to learn more about Brain Burst and start to question people’s real motives.
Through episode 12 or so the show really continues to deliver on this. The battles are catchy, even if from time to time shonen cliche, and there’s even some romance, however superficial it felt to me.
However, around episode 13 and on the show really began to drag. Characters began to make decisions on a habitual basis that I kept wanting to punch them in the face for and that initial annoyance with Haruyuki that could be overlooked due to the magic of everything else began to creep up again. To me it felt like the show lost some of its focus on what it really wanted to do and introduced a new villain rather than delivering on earlier promises – such as achieving level 10 and meeting the creator. Granted, this can be as a result of the fact that the source material is still ongoing and they didn’t want to make any major closures but it did feel more than a little disappointing for the viewer. But, I do go back to giving the creators props that the villain in the second half was fantastic, a perfect example of a “love to hate” villain.
Not to harp on art but I think Haruyuki’s design as a strange chibi character was a wedge right from the start that kept getting deeper for me throughout the series. I get that he is meant to be fat, ugly, and from the “lower” rung of the social ladder but I feel like the chibi design showed a lack of commitment to this. It was almost like despite those things he was still cute, which put him in stark contrast to the depth he received from being that social outcast. I would’ve much preferred to see him in a similar style to all the other characters but still have all those other traits. And for the record, I’m not the only one! Men in Japan voted him the second most aggravating character from recent anime.
Either way, the show started out very strong and then lost itself somewhere along the way in the second half. There were things that remained good such as character growth and a big twist… But, there were also a lot of over-used plot devices, poor pacing, and just all around aggravation over the main point of conflict surrounding the villain. It involves blackmail and you just keep feeling like it drags on for no good reason.
In sum, the show could’ve been great, but ended up feeling very lackluster because it lost almost all of the great momentum it had gained on the onset. It’s almost even more disappointing this way and you really want to ream it, but the show did have a lot of strong points, and a few carried all the way through. In an effort to not let my personal let-downs with the show cloud my judgement I felt a 3.5 was a fair score. It was more than I expected from a shonen show, but didn’t live up to all it could’ve been.
[starrater]
Alternative Title: コードブレイカ― (Japanese)
Summary:
Sakurakouji Sakura has a new student join her class, a boy that she saw not a day earlier burning people alive from a bus window! Determined to find out his secret and keep him from hurting others she makes it her mission to follow him. In doing so, she learns he is part of a secret organization called “Code:Breakers” a group of people with supernatural powers that does the government’s dirty work of killing criminals.
Review:
Code:Breaker is a show that tries to be more than it is and in the end that hurts the overall experience of the show.
From the beginning it begins to plant seeds for deeper meanings of good and evil, right and wrong, and a utilitarian overview of society. However, the anime does little to focus and really comment on these things, rather introducing new characters and having stupid comic relief moments at the wrong times. Example, taking a girl and a puppy into a battle field… why?
The anime also continues to introduce plot points that are never fully explained up to the end of the show, such as implying Sakurakouji has a deeper skill and importance to her but never fully fleshing that out. Also introducing government motives and ultimatums. The show is based off of a still ongoing manga that currently has 23 volumes so the source material is massive. No second season has officially announced at this point but this show greatly needs it to close itself. The ending felt more like a “to be continued” opening more questions and introducing potential new villains than a actual conclusion.
The superficial “deeper” meanings aside this show has fantastic action if you’re into the supernatural super powers side of fighting. The best thing to do is approach this show as a shonen fighting show and know the ending will leave you hanging. Despite appearances it has no touch of harem or romance to it which helps keep it focused purely on the action. I’d recommend this show for people who are a fan of that genre with a touch of darkness, but know it’s faults and short-comings upfront and be warned.
[starrater]
[starrater]
Alternate Titles:
Blood Plus
Blood +
[starrater]
[starrater]