Bakuman. 3
Score for the overall series ended up at a 4, but the third season sits at a 5.
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Score for the overall series ended up at a 4, but the third season sits at a 5.
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Alternate Titles: [C], Control
Original Japanese Release Date: 2011
Episode Length/Run-time: 11 Episodes
Summary:
Japan’s economy is struggling, however unbeknown to most the public it’s been kept afloat with money from a mysterious other plane of existence known as the financial district. Kimimaro, an economics major in college who struggles to make ends meet is approached to be an Entrepreneur for the financial district, offering his future as collateral for a large sum of money. Now, he must figure out what he’s fighting for, or if he has any place in the struggle at all.
Review:
[C], or Control, is a great anime that really suffers from one thing – it’s just not long enough. I know, I know, in an anime world where we are constantly criticizing anime for going too slowly, or doing too little, in a minefield of filler and pointlessness Control remains the exception.
But I’m getting ahead of myself.
Control is a Tasunoko Production and an original story by Noboru Takagi. Meaning yes, amazingly this is a fresh, original story, with no light novel or manga behind it. Takagi has done series compositions for Baccano and Durarara, though both were based off light novels.
Control wastes no time, in the first episode you are introduced to the Financial District, a mysterious plane of existence controlled by the even more unknown Mitas Bank. However, the existence of this bank is unknown to people who are not entrepreneurs or Entre for short.
Outside the financial district, Japan has hit hard times, in a rough economy and rising national debt scraping together a living is something less and less people are finding themselves able to do. So when Masakaki, the banker and “Willy-Wonka meets the Mad Hatter” ring leader of the Financial District, approaches someone, at random, to be an Entre most are hard-pressed to say no. But of course, there are very few freebies. In exchange for the chance to make money in the financial district as well as a hefty sum of money to start out with you cash in your “future.” Now there is a purposeful ambiguousness at the start of the series of what “future” actually means. In the beginning you see a man committing suicide because he went bankrupt in the financial district (causing him to lose his “future”) so you think “future” means years on life. Later on a man loses his children as a result of bankruptcy and everyone who had memory of them. So “future” clearly translates very differently depending on the person’s circumstance.
The Financial District functions like a large, metaphorical, stock market. Two Entres enter into what’s known as deals by leveraging their assets against each other in a timed battle. What ensues is basically a pokemon battle with money, each attack above basic ones cost money, when you are hit you lose money. You win a deal by ending with the higher total. The higher the margin of victory the greater the effect the battle has on the real world. This is also how Entres can go bankrupt in the Financial district. Non-involved Entres can watch the Deal and bet on the outcome. Therefore, money flows through the financial district, crossing hands, and enters the real world through the Entres.
Now, getting to our main character Kimimaro. He’s an economics student at a local university, though you wouldn’t believe it with how clueless he is when it comes to money matters. His cluelessness does serve as a purpose for explaining the financial district though, so it helps the viewer. He is parent-less and hard working. Determined to make his own living his entry into the Financial district is hesitant at best. But as the story unfolds he realizes he has more significant ties to the district than he thought, as his father was a previous Entre who went bankrupt. He’s an uncertain character and doesn’t know where he stands in the Financial District until he meets Mikuni.
Mikuni is like the ringleader of the financial district. The most powerful person he amassed a huge amount of wealth which he invests into Japan to keep the economy afloat by investing in Japanese companies and buying up unbought bonds from the government. In the Financial District he runs a guild designed to minimize the effects of the financial district upon the real world. Stressing they win only by the smallest margin possible.
The series takes a sharp turn and the pace increases as the Singapore financial district collapses, taking the country of Singapore with it. This solidifies the integration of the financial district with the real world and it sends a shockwave known as C across the financial districts of the world. Mikuni takes matters into his own hands to try to save Japan at present and Kimimaro is forced to choose his side.
C, if you can’t tell, is a very deep and involved anime for only 11 episodes. They introduce great characters that you wish could have more development but such things are sacrificed to the length of the series. There are a lot of themes in this that many anime triple its length don’t even see. Such as present versus future, what people will do for money, and how money plays a role into people’s lives. I see a lot of people criticizing the show’s execution, but I think differently. There was a lot of terminology that as a business student I really appreciated. Just looking at the assets each Entre was handled like a small company. And sure, there was a lot of metaphor and it wasn’t a picture-perfect example of real business it still was great to see in an anime representation.
Two other criticisms I see of the show are awkward CG, and yes, there is awkward CG but it’s not nearly as bad as some I’ve seen. And the use of bad “Engrish.” Yes, the “Engrish” wasn’t really necessary but it was used for characters who wouldn’t speak Japanese.
Overall, what really dragged the show down was not having enough time to flush things out and explain them for viewers who may not catch on as quickly to the clever use of business terms and principles. The ending was conclusive and satisfactory, though I did not personally like it. This anime comes in at a solid 4. While I simply adored watching it the lack of time and what it forced the series to do really brought it down from masterpiece level to simply excellent. This is one I strongly recommend to any anime fan or business student out there.
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Alternate Titles:
Togainu no Chi – Bloody Curs
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Alternate Titles:
Fortune Arterial: Akai Yakusoku
FORTUNE ARTERIAL 赤い約束
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Alternate Titles: None
Original Japanese Release Date: Jan 2011
Episode Length/Run-time: 24 Episodes
Summary:
Kazuya Kujo has recently transferred as an international student to a school in the fictional European country of Saubure, located between France, Switzerland and Italy. Here he meets a mysterious girl who has been given the nickname of the Golden Fairy. She lives confined to the library on school, loves sweets, and is bored easily, always requiring a puzzle to solve. As mysteries begin to surround Kujo he becomes central to Victorique’s entertainment, and perhaps more. Their relationship evolves in the changing setting of a pre-World War 2 Europe still steeped in mystery, fantasy, and old lore.
Review:
Gosick starts out looking like a murder mystery type anime. Where Victorique is a Sherlock Holms type character, solving mysteries with almost nothing to go on and an astounding success rate and Kujo is her bumbling, yet helpful and well-meaning Watson. For someone who is a fan of this genre it serves to disappoint, because for one they don’t really give you enough clues to figure out what’s going on yourself, and two, it’s not really about the mysteries. The murders and mysterious happenings serve to illuminate the larger plot and evolve the relationship between Kujo and Victorique. The trouble-finding Kujo is just what Victorique is looking for and it evolves the unlikely friendship.
As mentioned, the mysteries serve to bring out the story. What you think will just be a string of one random mystery after the next evolves into a grater story in which the characters backgrounds are thoroughly fleshed out and a rich world is built. There are a few instances where they spend some time doing things that could likely be cut but you are so smitten with the characters that this is completely forgivable as it just serves as another step in elaborating relationships.
The story really begins to pick up as they begin to explain some of the lore in the world. There is an overarching struggle between science and magic and often times you wonder what is real and what is fiction. For example, one of the main things they begin to elude to is the “gray wolves” specifically around Victorique’s past. The gray wolves are linked back to Sabure’s ancient history and by my interpretation are known for their intelligence.
There are a lot of things like this throughout the show that leaves the viewer up for interpenetration. Don’t be fooled by the gothic lolita/moe ness surrounding Victorique. This is a surprisingly deep show dealing with a lot of mature content. The animation is good and the music is solid. Something I HIGHLY recommend.
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Alternate Titles: The Vanishment of Haruhi Suzumiya
Original Japanese Release Date: Feb 2010
Episode Length/Run-time: 163 Minutes
Summary:
Kyon wakes up one morning to find himself thrust in some alternate dimension where Haruhi and the S.O.S brigade does not seem to exist. No one seems to have any recollection of either and he struggles to figure out what is going on and what happened to the world he knows.
Review:
This movie is 110% for Haruhi fans out there. Otherwise I don’t know who would sit through the near 3 hours that is this movie. It is literally the longest anime movie ever made and I have no idea why because it does not merit it. Don’t get me wrong, the movie isn’t terrible. It has its amusing moments and the animation is glorious. It also has great monologues that you would expect from Haruhi. But the movie just gets boring. Without haruhi being, well, Haruhi there are little antics or crazy moments that made the show wonderful. The ending is also mediocre, you knew nothing would really happen, as is the way of such movies, but this ending is borderline bad. They use a complete cop-out ending and even say “we’ll resolve it later.” They tried being too technical with alternate dimensions and got burned by the spiral of multiples and so on. Overall, its not bad but I stick by the fact that if you’re not a big fan of the series be ready to be bored to tears by the end.
Review: The Disappearance of Haruhi Suzumiya , 4.0 out of 10 based on 1 rating
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Alternate Titles: Kokuriko Zaka Kara
Kokuriko Zaka Kara
Studio Ghibli
Dir. Goro Miyazaki
Wri. Hayao Miyazaki, Keiko Niwa
Music Satoshi Takebe
Synopsis:
Umi Matsuzaki is a high school girl living in the Coquelicot Manor, a boarding house in Japan in the 1960s. She meets Shun Kazama and they decide to clean up the school’s clubhouse: Quartier Latin. But, a local businessman and chairman of the local high school Tokumaru decides to demolish the building and Umi and Shun launch into an effort to get him to reconsider.
Pros:
– Animation is beautiful. The interiors feel truly lived in. The kitchen of Coquelicot Manor and the Latin Quarter clubhouse are especially impressive. The exteriors are lush and warm. Very precise and detailed. Par for the course for Ghibli.
– Performances are subtle and nuanced. Actors give emotional resonance to their animated avatars.
– Music is mostly beautiful appropriate, but Joe Hisaishi is missed.
– Story is cute, if a little slight and predictable.
Cons:
– Nothing we haven’t seen before, story-wise. One plot point in particular feels a little too soap-opera-y.
– There are a few strange music choices that don’t feel emotionally compatible to the scenario.
– Feels a little too sentimental and
nostalgic. Like Makoto Shinkai by way of Hayao Miyazaki, two great tastes that don’t taste terribly good together.
– It’s biggest crime is that it’s kind of boring. It has the slice-of-life quality that Isao Takahata’s films typically bring to Studio Ghibli’s body of work, but isn’t nearly as entertaining as a Takahata film.
Rating: 3 signal flags out of 5.
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