Bungou Stray Dogs
Alternate Titles: Literary Stray Dogs
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Alternate Titles: Literary Stray Dogs
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Alternate Titles: The Town Where Only I am Missing, BokuMachi, ERASED
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Alternate Titles: Subete Ga F Ni Naru, F: The Perfect Insider
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The Severing Crime Edge
Dansai Bunri no Kuraimu Ejji
Studio Gokumi
Directed by Yuuji Yamaguchi (Angel Links, Strawberry Eggs, Fate/stay night)
Music by Yasuhara Takanashi (Gantz, Beelzebub, Fairy Tail)
The Severing Crime Edge, based on a manga by Tatsuhiko Hikagi, tells the story of Kiri Haimura, a young man with an insatiable desire to cut people’s hair. After his family had had enough of his weird hobby/obsession, he was lucky enough to stumble upon 14-year-old Iwai Mushanokouji. Iwai seems like a normal enough girl, until you learn that she is cursed with floor-length hair that can never be cut. Fortunately, Kiri’s flamboyant scissors are also cursed with the ability to cut anything. It’s a match made in heaven; that is, until psychopathic murderers start coming after poor, innocent Iwai. You see, Iwai is what’s called the “Hair Queen,” and anyone who can kill this helpless young teenager will have their heart’s deepest desire granted to them. The murderers are known as Authors, and their murder weapons are called Killing Goods. Lucky for Iwai, Kiri’s magic shears just so happen to be one of these famed murder weapons passed down to him from his ancestor Grayland, a man responsible for some 200 deaths. The scissors even have a name: The Severing Crime Edge. Can Kiri protect Iwai from these impending dangers?
This show is very much anime. I don’t mean that as a compliment, nor do I intend it as a criticism. This kind of show is every bit the reason I started watching anime in the first place. The story is wacky and all over the place but mature in tone. The characters are young, naive, and often emotionally and sexually stunted, but the nature of the show’s violence and subject matter suggests that it is for a much older audience than that which would relate to such character traits. As an adult, I’m not sure who this show is for, but as a young teenager, I could have sworn this kind of show was for me, but I better not show it to my parents.
That said, I can’t make heads or tails of the main relationship in this show, which, other than the action scenes is the only reason you’d watch something like this, I imagine. In a scene near the end of the season, Kiri confesses that he can’t take it anymore and straight up mounts Iwai. After licking her chest, nibbling her ears, and tasting her hair (?) he ultimately ends up kissing her on the forehead and says he can’t do any more than that. She swears that her lips will be waiting for him when he is ready. I am now confused. The scenes in which Kiri cuts Iwai’s hair are kind of amazing in all their visual embellishments. They feel like the only moments where these two characters are developing together, and they’re clearly more expensive than most of the rest of the show.
The animation quality is all over the place. Aside from run-of-the-mill still frames and your expected corner cutting, there are some weird inconsistencies between shots. The outlines are inexplicably thicker and more pronounced in some scenes, whereas they’re very thin and unnoticeable in others. Even colors can vary and change within a single scene. Aside from the hair cutting sequences, the action scenes stand out as some of what the show has to offer visually. The animations are fluid, and the blocking and movements are very coherent.
The show is chockablock with fan service. Besides your typical panty shot fare, there is a bit of nudity that was censored in the version I watched. All of the censored nudity comes from the flat-chested 14-year-old Iwai and an even younger character who appears late in the season. There is also a character who has huge bouncing breasts, but the shine drawn on the tops of her boobs are an unfortunate rosy red with solid white center, making her tits look like two giant pimples ready to explode. As an aside, this might be the first anime I’ve seen that uses the white censor bars to cover something other than nudity. There is a scene in which a character draws her own blood with a syringe and injects it into another character. In both moments where she inserts the needle, the white bar appears to cover it up.
Throughout the brunt of the season, I was pretty sure this show had nothing to say thematically. In the last couple of episodes, I may have found something interesting to latch onto. You see, the Authors, owners of the Killing Goods, are constantly being manipulated by their murder weapons. The disembodied voices of the tools’ original owners is constantly whispering in the Authors’ ears to kill and kill again. Therefore, the Authors must exploit Insteads, people that they can use their Killing Goods on in some way to sate their murderous desires. Iwai is Kiri’s Instead, and allowing him to cut her hair everyday eases his need to murder. The show establishes these original owners as more than just common criminals. They feel like legends and in that light are almost justified for their actions. So by the time a late season twist reveals that Crime Edge’s Original, Grayland, may not have been all he was cracked up to be (perhaps he randomly and ruthlessly killed two people instead of the reported 200), you really feel the guilt of these crimes starting to weigh down on Kiri. The quip that popped into my mind when all this came to light? The Sins of the Father. Or maybe I’m just reaching, because this show really is crap.
The show’s biggest crime is not the homicide, but the tedium and stupidity. Even the visually exciting action beats can be logically confounding. For example, an Author fighting Kiri uses a book of judgement to summon a noose around his victim’s neck. Kiri is hanging from this rope holding his scissors that can cut literally anything. What do? Cut rope? Nope! When there isn’t an action beat in progress, the characters are constantly dumping information about rules of this world that never end up mattering one iota. And the whole hair cutting thing just feels like an excuse to sell a wider variety of PVC figures with different cute haircuts.
I can see this being appealing to a young teenager, but it’s just not for me. I don’t think the show really has anything to say, despite accidentally stumbling upon some weighty themes. And ultimately, when a show doesn’t have anything to say, all it can do is entertain, and The Severing Crime Edge isn’t very good at that either.
1.5 breast pimples out of 5.
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Summary:
A telling of a great mystery involving eternal life and the lost city of Ambrosia. Layton and Luke head to the opera where an evening’s performance turns into a game of life or death as they seek to solve the mystery surrounding the mysterious runner of the game and if there really is eternal life waiting at the end.
Review:
I will out myself on two accounts right off the bat for this review:
1) I did not expect this movie to be good at all given it’s source material. Puzzle game plus movie does not equal something good in my mind.
2) I’m a huge fan of the Professor Layton franchise and wanted to watch this movie as a result of that.
It’s original release was in December 2009 in Japan, I actually saw posters for it but didn’t make it to theaters at the time – obviously – and ended up watching it later. It did not get an official US release but there IS an English Dub. I’m not really a fan, not crazy about Luke’s voice in the Dub, but for those of you who prefer dub no matter what that’s an option.
The director is Masakazu Hashimoto who has actually directed some other fairly famous stuff such as Jin-Roh the Wolf Brigade and most recently Tari-Tari.
The animation was done by P.A. Works, which also did the animation for the scenes in the games. Making it really true in style and feeling for fans of the games. The animation is also of a decent quality with some CG thrown in. Maybe the CG was done well, or maybe because it’s based off a game there’s an element of forgiveness to it being there but it didn’t feel obtrusive at all.
The movie also retained all the charms of the game, the puzzles, Layton’s genius, well-loved characters being a part of the cast, even numbering the puzzles the characters come across. So for fans of the game it’s very charming in that respect but it wouldn’t be off-putting for someone who doesn’t know anything about the games.
Because of the “mystery” element the pacing is well done and there’s a little bit of guess work on the viewer’s end. But if you’re a fan of figuring out puzzles yourself and trying to piece through a mystery as you watch they don’t really give you the time for that.
The story is simple and easy to follow, making it a relaxing watch for someone of any age. The subject matter is engaging, possessing Layton’s charming mix of old world, mystery, meets some elements of fantasy without any of it seeming out of place. There are some moments of action and some comedic moments. It’s tense enough for an adult to enjoy on a Sunday afternoon, but not so complex that you couldn’t show it to your 7 year old niece. In fact, put it on the list of anime that would be GREAT to get younger fans into anime. It has all of the charming things that I remember liking when I was first getting into anime. I can just see someone running around saying, “Move aside Luke! I’m Layton’s number one apprentice!”
That would potentially be the sole criticism about the movie. It IS simple and it IS more fun than trying to say some incredibly deep message. But it knows what it is, plays to it, and does a good job at that.
Overall, at 99 minutes this movie is well worth watching for almost anyone. Strongly recommended to share with younger fans – though adults can still enjoy. And a MUST SEE for any Layton fans!
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Alternative title:
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Alternate Titles: Shinrei Tantei Yakumo
Original Japanese Release Date: October 3rd, 2010
Episode Length/Run-time: 13
Summary:
A high school student Yakumo has one special skill. He has the ability to see the spirits of the dead. Yakumo works with a female companion Haruka and police detective Gotou to solve crimes that are influenced by the supernatural. Little does Yakumo know that a certain case will force him to confont his past.
Review:
Psychic Detective Yakumo suffers from the same syndrome that many newer anime have. It takes too damn long to get started. This series actually has a reasonably good story but many probably won’t get to see it. Many viewers will give up on the series before the 8th episode. That’s right, it takes about 7 or 8 episodes to really get around to what this series it about. Oh, and by the way, the show is only 13 episodes long. The first set of episodes are spent on one or two shot story arcs that really have no baring on the overall story.
The characters in the show are pretty much unenjoyable. The only player that gets any kind of focus is Yakumo, which is generally fine because the show revolves around him, but it would have been nice to learn a bit more about the rest of the cast. The show itself only has a handful of characters so there would have been enough time to flesh out the backstories a little better. Gotou gets literaly no backstory to speak of and Haruka’s is minimal as well.
The storyline of the series overall is good ones it gets going. It moves fast and is engaging. It’s a supernatural crime drama that has a good balance of suspense and action. I would also suggest that viewers skip halfway through the show to make their viewing experience a little better. However, you’ll need those first few episodes to get familiarized with the characters and the to learn about Yakumo’s powers, etc… Still, even so, the this series doesn’t even do a very good job of doing that.
All in all, you can probably skip this one if there are other anime available for you to watch. If you crave supernatural stories, go watch Ghost Hunt or something.
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