Bakuman
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Genshiken (Season 1)
Palm Studio
Dir. Takashi Ikehata (ep. dir. for Girls und Panzer, Strawberry Marshmallow, Inuyasha)
Wri. Michiko Yokote (5 ep. only) (Ah! My Goddess: The Movie, Rurouni Kenshin, Red Data Girl)
Mus. Masanori Takumi (Claymore, Koi Kaze, Witchblade)
SUMMARY
Genshiken follows the story of university freshman Kanji Sasahara. After perusing the various booths at the annual club rush, Sasahara settles on the club known as “gendai ni okeru shikaku wo chuushin to shita bunka no kenkyuu,” or rather “The Society for the Study of Modern Visual Culture.” This turns out to be an all encompassing otaku club, which is exactly what he wanted. Manga, anime, video games, cosplay, plastic models; you name it, Genshiken has its geeky toes dipped in it.
REVIEW
It’s not the prettiest thing to come out of the industry, but as a character piece, it doesn’t really need to be. The most visual impressive sequences are that of the imaginary-at-the-time anime “Kujibiki Unbalance,” which is a favorite among Genshiken’s members. The show has a nice visual style that isn’t too overblown. It really feels like it could make an easy and natural transition to the live-action medium.
For what one could certainly call an “otaku” show, the pandering and fan service is almost non-existent. The largely episodic stories feel all at once like an introspective on otaku culture and a celebration of what sets it apart and brings its participants together. In as much as the the Jackass franchise isn’t really about pranks and stunts but rather about camaraderie and friendship, so is Genshiken. To examine what brings people together is to examine people themselves, and Genshiken does this quite lovingly.
Like I mentioned before, the show is very episodic. Relationships progress serially, but events are mostly unconnected episode-to-episode. This works well for the different corners of fandom that the show attempts to tackle with each installment, but does little to encourage the viewer to watch more. I often felt satisfied watching a single episode and doing something else for awhile. It’s very pleasant viewing experience, but not terribly engaging.
The music is cute and never inappropriate, but doesn’t set itself apart in any particular way. The opening theme, however, has become one of my favorite anime openings of all time.
At the core of this show’s success are its characters. Truly loving portraits of believable archetypes among otaku – not terribly flattering, but never mean-spirited. Just honest, perhaps. Among the characters is a woman unlike any I had seen in anime prior to watching Genshiken, nor have I seen since. Her name is Saki Kasukabe (played with deft cynicism by Satsuki Yukino). She’s a smoking, drinking, fiercely independent upperclassman who starts dating Genshiken’s resident pretty-boy game wizard Makoto Kousaka, a choice she has no qualms about admitting were for his looks alone. She has no interest in anything otaku related and struggles for much of the series trying to understand why this hobby is so important to her boyfriend and his club mates. It’s a relationship that never feels forced or unearned, but rather real and unflinching; two people sitting in a room discussing whether they’re going to have sex later – one of them playing a video game, the other smoking a cigarette. If anything negative could be said about their relationship, its that Kousaka never does much of anything but play games, while Kasukabe is constantly trying to figure him and this whole “otaku” thing out. Kasukabe eventually comes around, but she’s never meant to be the syphon for a quote-unquote “normal” audience. A series like The Big Bang Theory never seems to be on the side of the outcasts. For a show that’s told from the perspective of geeks, the brunt of its humor is at the expense of those giving us perspective. The “normies” in the show provide the audience with a relatable escape from all the sci-fi references and indignant, glasses-pushing, academic one-upsmanship. Genshiken deserves huge points for making Kasukabe exactly what she is to the rest of the characters: an outsider.
All things considered, Genshiken is something special that we doesn’t get enough of these days. It’s a nice, well-meaning, thematically consistent piece about camaraderie on the outskirts of pop culture. Recommended to anyone who has ever called themselves a geek or any variation thereof.
4 glasses pushes out of 5.
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Score for the overall series ended up at a 4, but the third season sits at a 5.
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Alternate Titles:
Oreimo
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Mangirl!
Studio: Dogakobo
Dir. Nobuaki Nakanishi
Wri. Masahiro Yokotani & Reiko Yoshida
SYNOPSIS
A team of girls with zero experience in manga editing are off and running toward their dream of creating the biggest manga magazine in Japan! They seem to do nothing but run into problems and failures… But still they’re working hard every day!
REVIEW
+ Characters are cute and well differentiated visually.
+ The show has a very colorful, glossy look to it. Everything kind of looks like candy, especially the characters’ hair.
+/- Music is unremarkable. At least it’s not inappropriate and distracting. Theme song is cute, but a little irritating and manic.
– Very clearly made on the cheap. Not a big need for action, so nothing to complain about there. Lots and lots of static frames.
– The central conflict of the show is simply running this magazine. Each episode has it’s own conflict that emerges and gets resolved within the three-minute runtime. Because of this conflicts are resolved almost as soon they arise, often with nothing more than a jump cut and a line of dialogue like: “Somehow we overcame this obstacle! Yay!” It really feels like this show wants to be a full-length half-hour program, but simply doesn’t have the time to explore its episodic conflicts in an interesting way.
– Aside from the two most prominent characters, performances aren’t all that varied or unique. Everyone has the same cute cadence to their voice, which doesn’t lend much to their characters. The show has barely enough time to showcase the individual characters’ idiosyncrasies, so you end up with impressions like “the crazy one,” “the serious one,” “the kinda dumb one,” and “the one who likes donuts.”
Overall it’s a pretty cute, mildly interesting (albeit probably inaccurate look) at the manga publishing world.
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2.5 donuts out of five.
Sasami-San@Ganbaranai
Studio: Shaft
Dir. Akiyuki Shinbou
Wri. Katsuhiko Takayama
Music by Yukari Hashimoto
SYNOPSIS
Sasami Tsukuyomi is a high school shut-in who often stays at home and is doted upon by her older brother, Kamiomi. However, due to unknowingly possessing a god’s power, Kamiomi’s habit of trying to appease Sasami often puts the world into chaos, while the three Yagami sisters try to put a stop to it.
REVIEW
+ Beautifully animated. Does a lot with it’s television-sized budget. Everything has a pleasant watercolor and pastel feel to it, especially Sasami’s bedroom and house. It seems the more unfamiliar the place to Sasami, the more hard-edged and vibrant everything becomes. Great work from the guys at Shaft.
+ Performances are quite good all around. Kana Asumi’s Sasami is delicate but jaded. Houchuu Otsuka’s Kamiomi brings a much-needed male to the all-female cast, and the uniqueness of his voice really stands out here. The Yagami sisters are all type casted into their roles, but each of their voice actors does a respectable job with the thankless, one-note work.
+ Music is very diverse and often quite charming. An episode featuring video games utilizes a bit of 8-bit flare in the soundtrack. Epic battles are underscored with appropriate swelling strings. Nothing feels out of place or distracting. Some horn-heavy battle music reminds me of the charm of mid-20th century film scores. Really good stuff overall.
+/- Thematically consistent although very, very messy narratively.
– The simple theme of Sasami growing up and learning to be a “normal” person achieves culmination through a series of off-the-wall story lines that don’t ever seem to be connected in any significant way. The series deals with everything from culturally enforced incest, troubled parental relationships, and jealousy among friends by way of multi-dimensional beings, ancient gods changing the physical world at their whim, time travel, MMORPGs, and myriad other devices. At any given time, the genre could be comedy, slice-of-life, romance, ecchi, supernatural, science fiction, fantasy, and even horror. All this said, the show ultimately doesn’t feel edgy or or experimental, just unfocused, uneven, and pretty damn exhausting.
I didn’t dislike it, but I didn’t really like it either.
2.5 boob guns out of 5.
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Alternate Titles: None
Original Japanese Release Date: 2006
Episode Length/Run-time: 24 Episodes
Summary:
Satou Tatsuhiro is not your average awkward otaku. He is what is known as a NEET (Not Engaged in Education or Training). A general leech to the system he spends most of his time locked in his apartment, incapable of branching out to the real world or real people. In his solitude he creates a conspiracy theory with the initials of the popular television provider the NHK or the Nihon Hikikomori Kyōkai as he calls it, an organization dedicated to the creation of NEETs. One day, after meeting him by chance Misaki Nakahara invites Satou to be a part of her project, saying she can “cure” him. So he begins to venture out into the world again slowly.
Review:
This anime is pure fun especially to the anime fan. You show about a great otaku shut in his apartment well it speaks of the hard-core anime fan in all of us I think. I mean, who wouldn’t want to sit around all day and watch anime? However, like with most things he learns that you can’t just sit there and do nothing.
The animation style is average appropriate time and generally interesting. There is a sort of psychological flair to it and many people who had seen or heard talking about this anime generally bring that up, but I wouldn’t really play that aspect of this anime up. She is a minor psychological overtone to the series but that’s not really what it’s about.
The theory is really just a playful romp through the lives of the characters. You want to see the characters succeed because you see yourself in him or maybe probably more likely you know someone like him. And fortunately for the show it is generally amusing, because if it wasn’t it wouldn’t have much else to stand on. In all of you recommending this to my friends or somebody looking for a playful show. At least it wasn’t a waste of my time or mindless romp through cliché land.
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